Along with the duty of being empathetic, the band had to deal with their own lives. The band’s critically acclaimed 2016 release, Stage Four, found Bolm mourning and paying tribute to his late mother, which in turn, challenged his emotional bandwidth to converse with an upswell of fans responding with their own stories of grief. “I’ve always stood by the idea that if you’re gonna raise your voice and you’re gonna yell,” Bolm says, “and somebody is kind enough to listen to you do that-then I would not half-ass anything. Yet as much as the band has grown and matured via everything they’ve endured, it’s perhaps equally impressive how they’ve managed to stay true to their core… Its longer, structured songs soar with a ferocious but delicate musicality and powerful, gut-wrenching storytelling that smashes previous heights. A striking contrast to the band in 2020, as their evolution with every step in their oeuvre has lead to this moment. It was a straightforward reflection of a time when the band’s songs rarely surpassed the two-minute mark and hooks were accidental if existent. To the Beat of a Dead Horse, to celebrate the decade gone by. Last year, the Los Angeles quintet re-recorded its 2009 debut. Through 11 songs, Touché Amoré looks back at its past and uses hard-won optimism to point its fans toward light, and love. After over a decade of working through darkness, the band’s gorgeously gruff fifth album, Lament, finds the light at the end of the tunnel. Touché Amoré has been burrowing through angst, alienation, cancer, and death throughout four adored studio albums. Jeremy Bolm (vocals) - Nick Steinhardt (guitar) - Clayton Stevens (guitar) – Tyler Kirby (bass) - Elliot Babin (drums)
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